The ‘Stache’s new home at Avalon will feature a variety of colorful designs and furniture, with every surface being covered in a different pattern, and holiday cheer! The whimsical wonderland opens to the public November 11, just in time for the shopping and entertainment district’s festive season. The brand-new holiday hangout spot will be serving seasonally themed cocktails, in addition to sweets from nationally recognized dessert company Milk Bar, as well as other local bakeries. All bindles also offer the chance of awarding one of two limited edition items that were not released in the original blueprint, just like a mystery capsule.Nestled just of the Plaza, where Avalon’s iconic ice-skating rink is located, get ready to step into a jolly wonderland of festive fun. Opening a bindle grants at least one item from the blueprint's set of items that the bindle is themed after. With the Meepits moving their plans on to other things, items from old blueprints were re-released in the form of bindles, similar to the suitcases from JubJub Power Bounce and Blumaroll. Note: In any one game, you are only able to use the Choosy power-up by itself however a combination of Switcheroo Juice and/or Two-Juice is permitted. Please read the full FAQs for more information before purchasing. Note: When purchased this item will not go into your inventory but will be tallied in your power-up total in game. Use this power-up to win two prizes instead of one! This power-up must be purchased before you enter the game to play. ![]() ![]() Use this power-up to trade the prize you grabbed for a prize in a higher or lower tier! The power-up must be purchased before you enter the game to play. Use this power-up to select one prize of your choice out of three turns! This power-up must be purchased before your enter the game to play. All power-ups do not go into your inventory instead they are automatically added to your in-game count. They can be purchased regularly in the NC Mall, or in-game, should you wish. There are a selection of power-ups to be used, which can determine the prize(s) you may receive. The main game screen, once the red button has been pushed. For more details be sure to read the instructions on the main page of the game, or consult the FAQ for any other queries. At this point you'll be given the option to use power-ups, if applicable. Pressing the red button again stops the yellow light, and the colour of the moustache on the screen determines the tier of the final prize. ![]() Pressing the large red button on the left starts the machine (and sets the poor Feepit off!), and each of the screens flash yellow in turn. Once a blueprint is chosen, you enter the machine room. The images in each blueprint give a clue as to what the theme is for the prizes. Head on over to the game page, where you must select which set of blueprints you wish to aid the meepits with. To play, purchase a plan pack from the NC Mall, and activate it in your inventory. ![]() In addition to these packs, the Holiday Secret Meepit Stache Plan 1-Pack was given out on Decemby the Advent Calendar.
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![]() ![]() The background story provided for the Max Headroom character in Max Headroom: 20 Minutes into the Future was rooted in a dystopian near-future dominated by television and large corporations, devised by George Stone and eventual script writer Steve Roberts. Producer Peter Wagg hired writers David Hansen and Paul Owen to construct Max's "whole persona", which Morton described as the "very sterile, arrogant, Western personification of the middle-class, male TV host". Channel 4 executives enjoyed Morton's pitch and introduced Max as a character in an hour-long TV-movie before presenting him as a programme host. When this proved impractical, an actor was cast with the illusion of a computer generated host. Morton thought the host should be computer-generated or animated. a talking head: a middle-class white male in a suit, talking to them in a really boring way about music videos". He saw the host as "the most boring thing that I could think of to do. He thought British youth would be suspicious of a youthful personality attempting to appeal to them and might instead appreciate the cynical irony of a host who appeared to be a conservative man in a simple suit and tie attempting to appeal to youth but lacking a true understanding of their culture. Taking inspiration from MTV video jockeys (VJs) and US TV hosts, Morton decided a graphic or "bumper video" would not appeal to youth nearly as much as a host with a loud personality. Rocky Morton was tasked to develop a graphic to play before and after the videos, clarifying to audiences these were features of a special show and not just random music videos between TV advertisements. With the rising popularity of music videos with youth culture, and stations such as MTV, Channel 4 hosted a music video programme. To advertise and promote Channel 4 and its subsidiary channels shifting from broadcast to digital signal, an aged Max Headroom (again portrayed by Frewer) appeared in new commercials in 20. Max Headroom was emulated by an unknown person in a Max mask while hijacking a local television broadcast signal in 1987, later referred to as the " Max Headroom incident". Max's appearance and style of speech has influenced and been referenced by different media, such as Ron Headrest, a fictional character in the comic strip Doonesbury who was a political parody of Ronald Reagan and Eminem's 2013 " Rap God" video, in which the rapper resembles Max. The series was canceled during its second year. The series returns to Carter and Max challenging the status quo of a cyberpunk world, now portraying them as allies and providing a slightly altered version of Max's origin. After the cancellation of The Max Headroom Show, Matt Frewer portrayed Max and Carter in the 1987 American TV drama series Max Headroom on ABC. ![]() Max Headroom became a global spokesperson for New Coke, appearing on many TV commercials with the catchphrase "Catch the wave!". During its second and third year, it also aired in the US on Cinemax. Two days after the TV-movie was broadcast, Max hosted Channel 4's The Max Headroom Show, a TV program where he introduces music videos, comments on various topics, and eventually interviews guests before a live studio audience. Like Carter, Max openly challenges the corporations that run his world, but using commentary and sarcastic wit rather than journalism. The AI develops a personality identified as "Max Headroom", and becomes a TV host who exists only on broadcast signals and computer systems. While Carter is unconscious, an AI program based on his mind is created. At the time, UK clearance height signs used the phrase "Max. In the movie, Edison Carter (portrayed by Frewer) is a journalist fleeing enemies into a parking garage, crashing his motorcycle through the entrance barrier reading "Max. Max Headroom debuted in April 1985 on Channel 4 in the British-made cyberpunk TV movie Max Headroom: 20 Minutes into the Future, his origin story. Frewer proposed that Max reflected an innocence, largely influenced not by mentors and life experience but by information absorbed from television. According to his creators, Max's personality was meant to be a satirical exaggeration of the worst tendencies of television hosts in the 1980s who wanted to appeal to youth culture yet weren't a part of it. Harsh lighting and other editing and recording effects heighten the illusion of a CGI character. Max was advertised as "computer-generated" and some believed this, but he was actually actor Frewer wearing prosthetic makeup, contact lenses, and a plastic molded suit, and sitting in front of a blue screen. The character was created by George Stone, Annabel Jankel, and Rocky Morton. Advertised as "the first computer-generated TV presenter", Max was known for his biting commentary on a variety of topical issues, arrogant wit, stuttering, and pitch-shifting voice. Max Headroom is a fictional character played by actor Matt Frewer. |